I am happy to have an excerpt from my blog, “all about love, nearly,” coming out soon in this excellent new anthology published by Spuyten Duyvil Press. Come to KGB’s on April 22 to a reading celebrating the release of Wreckage of Reason II: Back to the Drawing Board — an anthology of experimental women’s fiction published by Spuyten Duyvil Press.
85 East 4th Street
7 — 9 p.m.
Readers include: Andrea Scrima, Martha King, Lorraine Schiene, Geri Lipschultz, Alexandra Chasin, Kathe Burkhart, Holly Anderson, Carmen Firan, Joanna Sit
“The range of the stories in this volume of Wreckage of Reason II is vast and far-reaching. There are thirty-three selections, among which are playfully reconstituted myths and fairy tales, experimental flash fiction, and sexually pungent satires that are presented alongside powerful stories about violence and loss, mothers and daughters, lovers and spouses, political horrors and existential loneliness, erotic visions and happenings. Each of them seemed to come from a commitment to literary risk, exploration, and playfulness and a tacit disregard of marketability. For that, the selections are unusually wrought, evincing precisely articulated literary intentions. Space will not allow me to include each and every one of them, yet each was unusual and lively, a truth on its own twirling axis.”
— Leora Skolkin-Smith
In this follow-up to the 2008 bestselling Wreckage of Reason: An Anthology of Experimental Prose by Contemporary Women Writers, 29 contributors use different styles and language genres, their tools at hand, to illustrate moments of conflict, amusement, bafflement and joy that make up a day, a year, an individual life or a collective history. Held up to the light or inspected under a microscope, set in locales real, virtual, mythic, and imaginary, characters bump into and move through events, leaving readers with the humorous, sad, sexy and playful ambiguities of what it means to be alive. This anthology provides a much needed venue to spotlight women writers engaged in serious creative writing projects chronicling and responding to our current culture.
“Were this book published by St. Martin’s or Norton, they would have slapped its contents on wider margins and packaged it for the college market at twice the cost. Except Norton or St. Martin’s would never publish this book—it’s too dangerous, wild, and singular. Wreckage of Reason gives us three dozen women authors beyond any easily marketable definition; by any description, it’s an anthology worthy of an audience and acclaim.”
— Ted Pelton, from The Brooklyn Rail (writing about Wreckage of Reason I)