Andrea Scrima’s autobiographical novel follows an American artist living in Germany back to the US and her family origins
Review of Like Lips, Like Skins for the Frankfurter Allgemeine Zeitung
By Maria Frisé (excerpt, April 8, 2022)
“I’d never survive in the US,” Andrea Scrima once said in an interview. At the time, the reference
was to Trump’s America—but one could also apply it to her family background, which she’s portrayed in two unequivocally autobiographical novels (A Lesser Day, and now Like Lips, Like Skins). A scholarship to the art academy enabled the author to move to Germany; she lives in Berlin and has since taken on German citizenship. Yet again and again, the past catches up with her, and feelings of guilt surface. Should she have stayed to protect her younger brother from the violence-prone mother, who tyrannized her four children and silent husband? This is one of the stories Scrima tells in Like Lips, Like Skins.
The novel’s protagonist Felice is, like Andrea Scrima, an artist, and an exhibition sends her back to her native New York. Her hopes that things might have improved in her absence prove to be in vain. “Never forget that you can leave again”—this is what her partner tries to impress upon her as she’s departing Berlin. But before long, she falls prey to the past and the mother’s sudden fits of rage. When she visits the old house on Staten Island or the Burger King she worked in at the age of fifteen in a first step toward gaining independence from her family, she becomes immersed in painful memories from childhood.
Andrea Scrima is a powerful storyteller with a confident command of the German language.
In collaboration with Christian von der Goltz, she translates her English-language manuscripts into German, as she’s now done masterfully for Like Lips, Like Skins (German edition: Kreisläufe, Literaturverlag Droschl, 2021).